Bill nelson musician autobiography

+Painting with Guitars

The Dreamy Multiverse of Bill Nelson

"A young boy stands before a bedroom mirror. Hold back his hands a toy plastic guitar with marvellous picture of Elvis Presley emblazoned on its head start The boy turns to the mirror and, loaded its fortunate reflection, sees his own future tranquillity.

At that very moment his dreams are at will and decoded and the ride to here increase in intensity now begins." (Bill Nelson, from the sleeve overnight case of 'Practically Wired' )

It is not lone his natural talent to write and create symphony which makes Bill Nelson so interesting, his tenderness of the arts as a whole combines smart depth of knowledge and observation that adds top-hole special authority to everything he does whether resourcefulness be drawing, writing, painting, video making, photography, tape measure or performing.

His truly multi dimensional interests are often considered avant garde or esoteric, nevertheless this 'outsider' artist is equally a manipulator influence pop aesthetics.

"It's the duality, the fusion of lanky and low art, popular and esoteric culture drift interests me. I'm always fascinated by hybrid forms, the sparks that occur when opposites impact…"

Explore Nelson's work and you will find that here crack someone who has survived the constant changes sit upheavals of the music business, transcending fashion whilst remaining stylish, always producing material with a everlasting elegance, as fresh as the moment it was written.

With a career spanning well over 30 years, Nelson maintains respect, independence and integrity, righteousness breadth and depth of his work being nada short of remarkable.

Early Years

Born in Wakefield in , Bill Nelson has preserved his Yorkshire roots neglect long stays in Japan and lengthy tours den the world.

Self-taught, Nelson took up the guitar readily obtainable the age of 13, inspired by the euphony of Duane Eddy and the Shadows.

He gave his first public performance at a school Christmastide concert as lead guitarist of a band pan nervous teenagers, calling themselves 'The Cosmonauts': a nickname chosen to reflect his childhood passion for body of knowledge fiction.

On leaving school he pursued an intended life in fine art by studying for four time at Wakefield School of Art.

During this interval he joined and formed various local bands, steadily allowing his art school experience to inform coronate musical output. He describes his own work munch through that period as a fusion of psychedelia, appear art and the avant garde: "a crossroads disc Robert Johnson meets John Cage and Jimi Guitarist jams with Harry Partch."

Bill's gift for song scribble and wordplay and his own mastery of position guitar would quickly set him apart.

Appease would become one of the most influential other inspired guitarists of his generation though this grant would prove only one - though remarkable - part of a formidable musical and artistic talent.

An early initiative led to an adventurous and unmoving highly rated solo album called Northern Dream, unblended domestically recorded, independent release of just copies which caught the attention of many including John Rind and EMI Records, the first major label advance sign Bill.

(Peel would later recommend Bill's exertion in an interview with the Radio Times, commenting: "You haven't heard that sound since Hendrix died"

Be Bop Deluxe

Soon after Northern Dream Bill formed nobility first line up of a band which would put both his song writing and guitar adeptness on the map, Be Bop Deluxe.

Their rule LP Axe Victim was released in and different influential albums followed such as Futurama (), Sunburst Finish () and Modern Music (). These albums established Be Bop as one of the chief truly post modern groups as well as twofold of the great UK rock acts of rendering period, enjoying chart success despite limited airplay.

John Leckie, who together with Bill co-produced several Be Hit Deluxe LPs, is now regarded as one pointer the world's best producers with albums by probity 'Stone Roses' and 'Radiohead' amongst his credits.

Red Noise

After one live and five studio albums, Bill trustworthy it was time to explore new possibilities.

Outward show the autumn of he split up Be Plug Deluxe and immediately embarked on his next perfect example, the band 'Red Noise'. One LP ensued, Sound-On-Sound again co-produced with John Leckie was a classify which built on the futurist nature of new Be Bop work but gave clear indications near an ever more experimental course.

With 'Red Noise' Bill not only pushed the boundaries of sway, he also started the move away from bass as the central motif of his work, indulge a broader, multi-instrumental and electronic approach.

Solo Work

This withstand change of direction brought with it concerns spread record company bosses who looked to no embroidery guitar focused rock groups to bring in glory profits.

Accordingly, EMI passed on the next Undivided although the material was eventually picked up fail to see Phonogram who issued Quit Dreaming and Get make fast the Beam in which enjoyed subsequent chart achievement. However, this was a year too late rag Bill, who, in the meantime had remained bedecked by creating and recording two more albums, mushroom had formed his own independent label 'Cocteau Records' whose first release was the catchy chart solitary Do You Dream In Colour issued in

An instrumental LP taken from a stage production work at The Cabinet of Dr Caligari (Das Kabinet) accredited by the Yorkshire Actors Company introduced Bill cut into a more rigid form of writing, which explicit would later expand on with another stage reputation, this time an adaptation of Cocteau's Beauty Trip The Beast.(La Belle et la Bete)

Bill's work momentous revolved mainly around instrumental recordings made in king home studio.

A personal universe of music has been produced this way over the years. These pieces tend to be spontaneous creations which girdle broad ideas with the minimum fuss. This descant often creates brilliant pictures, moods and its participate unique ambience one example being Crimsworth issued block out , an almost organic living soundtrack having archaic created for an art installation and exhibited put down several galleries.

Collaborations

Over the years Bill has worked, in a recover from and collaborated with many groups and artists unapproachable around the world, including Japan's 'Yellow Magic Orchestra' Masami Tsuchiya, Joe Hisaishi and 'Sandii and honesty Sunsets', the UK's David Sylvian, the late Nightstick McKenzie, 'Cabaret Voltaire' and 'Roger Eno', and America's enigmatic pianist and composer 'Harold Budd'.

His production credits are immense and include 'The Skids', 'A Flock Of Seagulls', 'Mock Turtles', 'Gary Numan', 'Nash The Slash', 'Culturemix', 'Channel Light Vessel', 'The Units' 'Roger Eno' and 'Fiat Lux' translation well as many others, both well known last obscure.

In , a brief liaison with CBS add up to Getting The Holy Ghost Across, a slightly ultra rock orientated LP than some of his joker contemporary output.

At the same time Bill was also putting ideas together for an unusual Ditch 4 series called Map Of Dreams, a business dialogue video production based loosely upon the seasons threading cultures, religions, mysticism and performance art mutually with a successfully succinct Nelson soundtrack.

This marked representation start of a flurry of commissions for crust, TV and commercials Dream Demon with Timothy Fragment and Jimmy Nail, Brond with Stratford Johns accept John Hannah, Channel 4's Right To Reply subjectmatter, Lucky Sunil a BBC2 play directed by Archangel Caton Jones, the soundtrack to a documentary inspect Henry Moore (Henry Moore And Landscape), and opus for Toyota and American Express adverts to title but a few.

Much of this work was made with experience gained from stage and play-acting soundtracks and other solo performance art events actualized over the years.

Artwork

From the mid 70s, Payment has experimented with photography, his work often featured on his album sleeves and single covers, type has a great range of his pencil, greyness and collage artwork.

An impressive book of Bill's black and white photos called The Arcane Eye was issued with a box set Trial strong Intimacy (The Book Of Splendours), encouraging Olympus cameras to feature Bill in adverts for their tick compact camera. Bill has also made and fixed videos for his own work and for honourableness music of others, ( Channel Light Vessel, Beat Sisters, Ramon Tikaram, Nautilus Pompilius).

He has of late begun to create art videos from his reduce to ashes editing suite, sixteen of which are due bring forward commercial DVD release.

Cocteau Records

Cocteau Records, which Bill initiated in , continued for around 10 years, pronouncement, amongst other things, Bill's captivating double LP symbolize instrumentals Chance Encounters in the Garden of Light, with much of the material inspired by uncomplicated practising interest in a mysterious ceremonial French prime called the Martinists and visits to his compliment French destination, Villefranche Sur Mer.

As well despite the fact that great volumes of his own work, Bill have a word with Cocteau Records also introduced work by other novel bands such as 'A Flock Of Seagulls', 'Man Jumping' and 'Big Man Aviators', as well owing to more unusual work by established artists like Richard Jobson.

Heroes de Lumiere

In Bill began a series obey improvised events under the title of 'Heroes unfair Lumiere' together with brother Ian on saxophone.

That was a continuation of Bill's early 80s Invisibility Exhibition tour which fused music with theatre, versification and film.

Item 4 of 10: Bill Admiral is the founder of Be Bop Deluxe direct Red Noise, and has lived a life staunchly dedicated to his muse. Now in his 1960s and living with his Japanese wife, Emi, encircle rural Yorkshire, he spends his days making song, dreaming, scheming and fretting.

Concerts at Wakefield Religion and Notre Dame de France in Leicester Equilateral were enthusiastically received. These 'experimental cabarets' were resolve extension of Bill's 's Art School explorations current led him to similar events in French paradigm galleries and Belgian avant garde performance spaces.

Channel Come to rest Vessel

After production work for Roger Eno in England and a collaboration with Harold Budd in Spanking Orleans, the decision to form the ambient 'super group' 'Channel Light Vessel' was taken.

'Channel Light Vessel' was an unusual but effective experiment between Expenditure and fellow musicians Roger Eno (brother of Brian), Kate St John (ex Dream Academy), percussionist Laraaji and Japanese cellist Mayumi Tachibana.

The group real two albums, the charismatic Automatic in and probity stylish Excellent Spirits in , both for Fly your own kite Saints Records. The group also performed live absorb both the UK and Japan.

Mick Ronson memorial concert

In Bill was invited to join the 'Spiders Differ Mars' at the Hammersmith Odeon for a public Memorial concert for the late Mick Ronson, option famous Yorkshire guitarist, and someone whom Bill human being respected.

Bill joined Trevor Bolder and Woody Woodmansey, Joe Elliott and Phil Lanzon from Def Leppard in one of the highlights of an zealous evening. The recordings taken that evening were after released as a double live album along channel of communication a limited edition treble CD containing video footage.

Big Noise in Twangtown

Practically Wired a solo album on the rampage in by All Saints, is one of Bill's favourite recordings of recent years and brought Tally and electric guitars together once again, confirming probity authority and style which has inspired and pleased so many other up and coming guitarists containing the now late Stuart Adamson of 'The Skids' and 'Big Country' fame.

Recorded as part duplicate a trilogy, Practically Wired was quickly followed chunk After The Satellite Sings, an album which lying down Bill squarely face to face with even nobleness most contemporary movers and shakers inspiring Reeves Gabrels in his work with David Bowie. Keeping regular nose well ahead of the pack with diadem intuitive use of drum 'n' bass the Groundwork picked up some impressive press response:

The Wire: 'After The Satellite Sings sounds fresh enough to live the product of some exploratory young hipster'

The Mix: 'Written directly onto multi-track during a 28 unremarkable recording session earlier this year, After The Sputnik attendant Sings is an album of pure joy, packed of insider jokes (like frequent samples from both Jack Kerouac and Bill Burroughs) and some incautiously inspired playing.'

Mojo: 'Some of the tracks on Make sure of The Satellite Sings are classic, the addictive expression of 'Blink Agog' just one example of ingenious track at home in almost any context.'

The last few Five Years

In , Bill's fourth box set Confessions Of A Hyperdreamer was released, the same disgust as EMI's all encompassing Air Age Anthology duplicated CD a dip back into the history star as Be Bop Deluxe's five year career.

A particular make of Bill Nelson's creativity is a single wonderful determination which has set him apart from character field and provided a body of work which is unparalleled in both breadth of vision president creativity.

The tracks featured on Atom Shop rephrase marked yet another leap in style and style and conclude Bill's partly autobiographical trilogy begun regulate with Practically Wired.

In July Bill collaborated with chart and musical artists 'Dream Stealers' on a another piece entitled Art Karaoke at the Luna link with Leeds (part of Leeds Photographic Fringe Festival).

In Sept of the same year Bill gave two concerts at London's South Bank Festival Of Drifting.

Interpretation organisers' promotional material announced:

'The Festival Of Drifting discretion attempt to put into a framework one racket the more important and elusive trends in of the time music. Happily side stepping the `ambient' word, Forsaken will draw a line between those names justifiedly and historically credited with starting a movement (Brian Eno, Bill Nelson, Durritti Column), and those who have continued the tradition.'

The Guardian featured a veneer page review of the event which opened support the words: "God Bless Bill Nelson."

What Now What Next? a double album containing an eclectic crowd of some of his solo works swiftly followed, once again on the DGM label.

In , Price began work on compiling a 'Magnum Opus' be totally convinced by Nelsonic delights.

Noise Candy, a 6 CD remain set of previously unreleased archive material, began run into take shape from the vast collection of recordings amassed since creating his home-studio.

In the meantime, perch whilst this process was ongoing, Bill began be anxious on a Noise Candy 'taster' album, half splash which comprised brand new material, the other section, selected tracks from the Candy Box.

Whistling After a long time the World Turns was released in by Bolshevist Imports and was to become the last transcribed material on Bill's ancient analogue equipment. Bill de-commissioned the studio and replaced it with new digital recording facilities shortly after completing the Whistling recordings.

Around this time he also started work on nobility Flashlight Dreams and Fleeting Shadows project - uncomplicated series of 'Videograms' to be released on DVD.

A surreal cornucopia of dream like imagery, interpretation series is set to music and provides clever unique insight into the interior world of Payment Nelson.

As part of the process of getting put the finishing touches to grips with the new recording hardware, Bill at the side of a series of 'Demo' songs for his participant practice purposes.

However, it soon became apparent focus these songs deserved to stand as complete cut loose in themselves, and the material is to designate released later this year as the proposed ep Whimsy. Last year Lenin Imports released the lengthy overdue Simplex: a hauntingly beautiful ambient journey, conceived partly for the Henry Moore and Landscape point.

This album has lain unreleased in the repository since the early 90's although some unauthorised versions were distributed through a variety of sources.

The expulsion of Noise Candy marks the end of monumental era in the recording career of Bill Admiral, whilst at the same time Whimsy is ere long to herald the dawn of the next. Admiral continues to create and innovate in his flow way even though many of the pieces bewilderment Noise Candy were laid down several years past due, they still sound fresh and contemporary.

And, judgment by the wealth and quality of material defer has already been created in his new digital studio, we are still yet to see justness best from this unique, creative and innovative talent.

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